Through the lens of Sudanese photographers, including those who remain in war zones, the unseen toll of war comes alive, bearing witness to what is now the world’s largest humanitarian crisis. From the heart of conflict to Harlem, Resistance in Memory refuses to let the world look away.
Through the lens of Sudanese photographers, including those who remain in war zones, the unseen toll of war comes alive, bearing witness to what is now the world’s largest humanitarian crisis. From the heart of conflict to Harlem, Resistance in Memory refuses to let the world look away.
From imperial rule to fascist occupation, Haile Gerima has made cinema a battleground over memory and truth. His latest work renews a lifelong struggle to decolonize the screen and restore Ethiopia to its own image.
From imperial rule to fascist occupation, Haile Gerima has made cinema a battleground over memory and truth. His latest work renews a lifelong struggle to decolonize the screen and restore Ethiopia to its own image.
A redevelopment project in Nairobi’s Ngara district promises revival—but raises deeper questions about capital, memory, and who has the right to shape the city.
A redevelopment project in Nairobi’s Ngara district promises revival—but raises deeper questions about capital, memory, and who has the right to shape the city.
More than a global pop wave, Afrobeats has become a language of identity shaped by the city, the diaspora, and digital circulation. Between rhythm and image, market and meaning, it repositions Africa as a producer of culture rather than a subject of nostalgia or crisis.
More than a global pop wave, Afrobeats has become a language of identity shaped by the city, the diaspora, and digital circulation. Between rhythm and image, market and meaning, it repositions Africa as a producer of culture rather than a subject of nostalgia or crisis.
Meja Mwangi wrote from the margins, giving voice to urban poverty, disillusionment, and post-independence Kenya without courting fame. His death invites a reckoning with how Africa remembers its writers and how many are only truly seen after they are gone.
Meja Mwangi wrote from the margins, giving voice to urban poverty, disillusionment, and post-independence Kenya without courting fame. His death invites a reckoning with how Africa remembers its writers and how many are only truly seen after they are gone.
iShowSpeed’s Africa tour is widely celebrated as respectful and refreshing, yet it operates within a long tradition of racialized spectacle that turns Africa into content and Blackness into performance.
iShowSpeed’s Africa tour is widely celebrated as respectful and refreshing, yet it operates within a long tradition of racialized spectacle that turns Africa into content and Blackness into performance.
David Elstein’s attack on David Olusoga’s docuseries on the legacy of the British empire reveals less about historical error than about the enduring impulse to rehabilitate British colonial rule.
David Elstein’s attack on David Olusoga’s docuseries on the legacy of the British empire reveals less about historical error than about the enduring impulse to rehabilitate British colonial rule.